Feature Article 1959 Stratocaster Vintage Guitars Author: Jeremy Hier Mid 1959 Stratocaster vintage guitars have a slab rosewood fingerboard with white "clay" position dots. The fingerboard radius of this Fender guitar is 7.25". The bottom fingerboard is flat. Vintage Fender Stratocasters made July 1959 and after basically will have rosewood fingerboards. The neck now has a very thin "D" backshape, by the end of 1959 it gets even thinner. Stratocaster vintage Fender guitars from mid-1959 have a celluloid "mint green" three layer pickguard which is white/black/white. Sometimes the pickguard of this vintage Fender is called a "nitro" pickguard. The celluloid pickguard was first introduced to the Stratocaster guitar around July 1959. Before that, rosewood fingerboard vintage Stratocasters were made with a single white pickguard with 9 or 10 screws. During the same time period in 1959 some vintage Fender Stratocaster guitars were made with maple neck and a 8 screw three layer celluloid pickguard. In order to replace the thicker and much smaller shield previously used on guitars single layer pickguards, a thin aluminum shield the size of the pickguard was installed underneath the three layer pickguard. Fender used a very photo-reactive dye in their sunburst finish of the vintage Stratocaster guitar. This caused many 1959 Strats to fade from 3-color sunburst to a 2-color. The photo-reactive nature of the red on the Strat Fender guitar caused fading from ultra-violet light. The fading is noticeable up close, from a distance it is difficult to recognize. Copyright © JJ PERSISTENT PUBLISHING, INC. PERMISSIONS TO REPUBLISH: This article may be republished in its entirety free of charge, electronically or in print, provided it appears with the included copyright and author's resource box with live website links. Jeremy Hier is the Business Manager and Webmaster of http://www.best-guitar-deals.com/ " target=_blank>Best Guitar Deals Jeremy Hier is a freelance writer and regular contributer He likes to offer his advice and tips to consumers looking to purchase http://www.best-guitar-deals.com/acoustic-guitar.html " target=_blank>acoustic guitars and http://www.best-guitar-deals.com/electric-guitar.html " target=_blank>electric guitars ...
 Article Article Page Main Guitar Articles Guitar Sites Feature Article 1959 Stratocaster Vintage Guitars Author: Jeremy Hier Mid 1959 Stratocaster vintage guitars have a slab rosewood fingerboard with white "clay" position dots. The fingerboard radius of this Fender guitar is 7.25". The bottom fingerboard is flat. Vintage Fender Stratocasters made July 1959 and after basically will have rosewood fingerboards. The neck now has a very thin "D" backshape, by the end of 1959 it gets even thinner. Stratocaster vintage Fender guitars from mid-1959 have a celluloid "mint green" three layer pickguard which is white/black/white. Sometimes the pickguard of this vintage Fender is called a "nitro" pickguard. The celluloid pickguard was first introduced to the Stratocaster guitar around July 1959. Before that, rosewood fingerboard vintage Stratocasters were made with a single white pickguard with 9 or 10 screws. During the same time period in 1959 some vintage Fender Stratocaster guitars were made with maple neck and a 8 screw three layer celluloid pickguard. In order to replace the thicker and much smaller shield previously used on guitars single layer pickguards, a thin aluminum shield the size of the pickguard was installed underneath the three layer pickguard. Fender used a very photo-reactive dye in their sunburst finish of the vintage Stratocaster guitar. This caused many 1959 Strats to fade from 3-color sunburst to a 2-color. The photo-reactive nature of the red on the Strat Fender guitar caused fading from ultra-violet light. The fading is noticeable up close, from a distance it is difficult to recognize. Copyright © JJ PERSISTENT PUBLISHING, INC. PERMISSIONS TO REPUBLISH: This article may be republished in its entirety free of charge, electronically or in print, provided it appears with the included copyright and author's resource box with live website links. Jeremy Hier is the Business Manager and Webmaster of http://www.best-guitar-deals.com/ " target=_blank>Best Guitar Deals Jeremy Hier is a freelance writer and regular contributer He likes to offer his advice and tips to consumers looking to purchase http://www.best-guitar-deals.com/acoustic-guitar.html " target=_blank>acoustic guitars and http://www.best-guitar-deals.com/electric-guitar.html " target=_blank>electric guitars ...
 Article Article Page Main Guitar Articles Guitar Sites Feature Article Competing With Paul Reed Smith Guitars Successfully Quicksilver ... Author: Not Available Paul Reed Smith Guitars , PRS Guitars , Steinberger Guitars ,Fender Guitars , Kramer Guitars , Ibanez Guitars , Jackson Guitars , Heritage Guitars , Jaros Guitars , ... ...
 Article Article Page Main Guitar Articles Guitar Sites Feature Article 12 String Acoustic Guitars Author: Seth Miller Guitars have evolved a long way from the 6 stringed guitars of the yesteryears to a completely functional acoustic guitar with 12 strings. Earlier, a guitar only meant the non-electronic variety. A 12-string acoustic guitar is a modern form of guitar that has its roots in the classical guitar. Acoustic guitars are tensed with steel strings for a clear and loud sound. They require a stronger frame construction to withstand the tension created by the strings. Terms such as the steel-stringed guitar or folk guitar are used to distinguish an acoustic guitar from classical guitars. The production of a 12 string acoustic guitar has many variations in the construction method and materials used. These methods contribute largely to the sounds produced by an acoustic guitar. Expensive guitars feature solid wood tops, sides and backs, while the lower priced ones may use solid tops with laminated backs and sides. Acoustic guitars made for amateur guitarists are completely laminated. As the availability of high quality woods is on the decline, manufacturers have resorted to using different types of woods. Plastic and graphite are also used as a guitar making material. The various combinations of different woods and their quality, along with design and construction elements are among the factors affecting the tone of the guitar. The most contributing factor in the tone of an acoustic guitar is the solid top. The laminated sides and backs are also instrumental in the production of pleasant sounds. There has been a rise in the number of guitar players and the companies selling guitars. The most prominent American makers of acoustic guitars are Martin, Guild, Taylor and Gibson. They are known for both the quality and price of their instruments. Rock bands have adapted to the use of 12 string acoustic guitars. They are easy to learn and play. They provide variations in the sound output that may not be possible for a classical guitar. Electric Guitars provides detailed information on Electric Guitars, Acoustic Electric Guitars, Cheap Electric Guitars, Electric Bass Guitars and more. Electric Guitars is affiliated with Piano Lessons.
 Article Article Page Main Guitar Articles Guitar Sites Feature Article Classical Guitar Tablatures Author: Thomas Morva A classical guitar is slightly different in shape from an ordinary guitar (i.e. rhythm guitar, bass guitar, Hawaiian guitar, etc.) The fret board, also known as the neck of the guitar, is slightly broader than that of other guitars. As a result the strings are more distanced from each other. The guitarist must stretch his fingers a bit more than when he is playing an acoustic or an electric guitar. When it comes to the string, the difference is that a classical guitar uses nylon strings instead of metal ones, making for a mellower sound. Classical guitars are based on the classical mode of music and follow classically oriented instructions. But the modern day guitar tablatures follow a slightly different course from that of classical notations. Playing classical guitar is more inclined to figure work and plucking. Therefore, these classical guitar tablatures are more meticulously structured and they are much more complex and intertwined with more uses of notes (i.e. C, Bb, G, A, F, F#, etc) than others. If we track back the history of tablatures, they have been used in the Western world for the last six centuries. They were mostly a horizontal grid read from left to right with letters and numbers written over them signifying the construction of pitches, and rhythmic signs above. Then by the 17th century various systems of tablatures existed in Germany, Italy, Spain and France. Nowadays tablatures, guitar tabs in particular, have vertical lines which represent the strings of the guitar (no matter what kind of guitar it is), horizontal lines for the frets, and dots signifying the position of the figures. Guitar Tabs provides detailed information on Guitar Tabs, Free Guitar Tablatures, Classical Guitar Tablatures, Bass Guitar Tablatures and more. Guitar Tabs is affiliated with Guitar Tabs.
 Article Article Page Main Guitar Articles Guitar Sites Feature Article Choosing a Guitar Teacher Author: Tom Hess The electric guitar has advanced far beyond the time when someone could teach himself (or herself) to become a world class player. If your ambition is to become a competent player and a competent musician, you need a competent teacher. Even if your goals are more modest, you can reach those goals far more quickly, easily and efficiently with the guidance of the right teacher.
Much of the information needed to learn about guitar playing (and music in general) is available from many different sources. There are hundreds of books, instructional videos, CD-ROMs and, of course, the Internet. Even though a lot of information is readily available, there exists a lot of incorrect, incomplete and otherwise bad information (this is especially true for a lot of information found on the Internet!).
You will need the aid of an excellent teacher to teach you how to fully understand and apply the correct information. You can save yourself a lot of unnecessary frustration and disappointment by studying with a good teacher. Remember that textbooks, CD-ROMs, instructional videos and the Internet cannot answer your specific questions. They cannot offer you advice on your playing, song writing, ear training, etc. They cannot listen to your playing and point out any mistakes or flaws that may be present. Some textbooks are great and I have seen some pretty good CD-ROMs out there too, but you still need the aid of an excellent teacher to guide you through everything and to help you develop your abilities and musicianship correctly and efficiently.
Great teachers manage and schedule new materials and effectively explain their importance and meaning. A teacher should encourage you when you are doing well and correct you when you make mistakes. Good teachers will show you how to better organize your practice materials and show you how to effectively manage your practice time (this is crucial to your progress!). They help you build up your confidence level (even if you are not consciously aware that this is happening). A great teacher will help you become secure with your technical skills so that you can execute difficult techniques on your guitar comfortably. These teachers emphasize creativity (songwriting and improvising) and performing.
Great teachers want to make sure that you fully understand what you are learning and, most importantly, teach you how to apply it by giving you detailed explanations and encouraging you to ask questions when something is unclear. A good teacher sincerely cares about your musical growth and development. An experienced and competent teacher will take you far beyond what you could learn on your own. Unfortunately, guitar teachers are not licensed and there is no organization that oversees or regulates them. Anyone can claim to be a good teacher and there are lots of people who make this claim. The number of competent teachers, however, is limited.
This brings us to this crucial question: how can a student find, choose, and then accurately evaluate a guitar teacher? Here are some questions that you should ask any teachers you are considering studying with. I have also included my own comments for each question:
1) Can you please tell me about your teaching experience? May I see your resume or credentials? How long have you been teaching and approximately how many students have you taught during that time?
At least three to five years of teaching experience is preferred - certainly no less than one year of experience. Prefer a teacher who has taught a moderate to large number of students. It takes time for a teacher to truly learn how to teach well, and the main way that someone learns to teach is by teaching for a while.
The students of a new teacher are like experiments. These teachers are learning how to teach on the job by trial and error. They need time to learn how to teach, and will make some mistakes in the beginning of their careers. You don't want to be one of those first thirty to fifty students. Let a new teacher gain his or her experience by making mistakes with someone else.
2) Do you teach private lessons or group lessons?
You definitely want private lessons, unless you are a total beginner or are enrolled in a college music course. You will learn a lot more about playing guitar in a one-on-one private lesson or in a correspondence lesson program.
3) What styles of music do you teach best?
Make sure you ask this question before telling the prospective teacher what style of music you want to learn. A lot of teachers claim to teach all styles well. Beware of this. Do not be impressed by someone who tells you that he or she can teach every style of music well.
If you really want to be a great rock guitarist, take lessons from a rock teacher, not a blues or country player who claims to teach all styles well. Find yourself a good rock teacher. If you want to learn multiple styles of music that are not similar (like country, classical and heavy metal) take lessons from more than one teacher for each of those styles. Unless you are a total beginner, you are better off with an expert teacher in your style of music, not a jack-of-all-trades teacher.
4) What is the cost of lessons?
Excellent teachers are in demand and usually already have a lot of students. These teachers often are not cheap. I can tell you that the going rates for good teachers in the Midwestern United States (where I live) is between $16-$24 per 1/2 hour private lesson (rates may be different in your state or country). There are a handful of teachers offering correspondence lessons for students who do not live in the same state or country as the teacher. Usually these lessons are less expensive in the long run (read more about correspondence lessons later). In general, don't look for the teacher with the lowest rates; you usually get what you pay for. If you can't afford to pay the higher rates for a really good teacher, ask the teacher if you can take lessons on a bi-monthly basis instead of taking weekly lessons.
5) Can you tell me how you teach the lessons?
This is probably the most important question you can ask a teacher. The answer to this question can help you determine if a teacher is competent, because this is actually a trick question. Anyone can tell you they have been teaching for 100 years, they have had 10,000 students and the cost is $1,000 per lesson because they are the greatest teacher of all time. But an inexperienced teacher cannot trick you with his or her answer to this question (unless he or she is reading this article.)
If a prospective teacher who does not know you, your musical knowledge, your guitar technique, your musical tastes, and your musical goals tries to explain how he or she will teach you, this is not a competent teacher. Not even the best teacher on Earth could answer this question if that teacher knows nothing about you, your goals, your playing level, your knowledge of music theory, etc.
So what would an experienced and competent teacher say to you when you ask the question? Well, I can tell you what I do when a new prospective student asks me this. I explain to him or her that I can't formulate a lesson plan for anyone until I learn a lot more about that student's playing, goals, musical tastes, knowledge of theory, etc.
To my correspondence students (whom I don't see face to face), I send a long list of questions about everything I need to know about their music background. This helps me determine the best way for us to begin. I also encourage the student to send me a tape or CD of his or her playing with a variety of his or her playing on it so I have a clearer picture of what areas need improvement.
Obviously, for my private students (whom I do see face to face), I can simply ask the questions that I need answers to. And I can hear the student play in front of me. Only after all of this can I (or any other teacher) truly know how to teach that individual student. It seems obvious that you shouldn't teach a 13-year-old-boy who has never played guitar before and wants to learn to play alternative rock the same way that you would teach a 27-year-old-man who has been playing for 16 years and wants to become a virtuoso in the style of Steve Vai or Yngwie Malmsteen.
In addition to asking the questions above, here are some other things to watch out for:
When students ask how to approach a certain technique or how to hold the pick correctly or how to most effectively mute strings that are not supposed to be sounding, the advice of some teachers is to do whatever feels natural to you. Sometimes what you may think is the natural way to hold your left hand may not be the correct way at all. It is the teacher's job to know those types of things. The teacher should be teaching, not letting you do whatever you feel like doing. For most things, there is a right and wrong way and you will be better off learning it the right way from the beginning.
A teacher may have some talented students, but this does not mean the teacher is good. This might seem like good criteria for evaluating a teacher, but the fact is that sometimes advanced students were already good players before taking lessons from the new teacher. The only time you can judge a teacher's teaching skills, based on his or her students' playing skills, is when those advanced students have been taking lessons from the same teacher since they were beginners.
Some teachers tell their students to learn from as many sources as possible and then leave it up to you to sort through it all and decide what works best for you. How are you supposed to decide that? How is a student to know what the best fingering is for a particular scale? Students typically won't know how to determine what the right way is. This is one of the reasons you have a teacher. It is his or her job to teach you these things. This is why you are giving the teacher your money!
Do not assume that someone is a good teacher just because he or she may be an excellent player or has good credentials. I know plenty of competent players with advanced music degrees whom I don't believe are good teachers. I was fortunate to have some truly great teachers, but I had some incompetent ones too, along the way. Whenever I realized that a teacher wasn't good, I looked for a new teacher.
The following things are not required for someone to be a good teacher, but it certainly is to your advantage to have a teacher who, in addition to teaching you about guitar and music, can help you in some of these other ways:
1) Guitar Pedagogy - This is learning how to teach guitar. If one of your goals is to be a guitar or music teacher, then you would benefit greatly from a teacher who can show you how to teach a variety of techniques, music theory, ear training, songwriting, improvisation, etc. You will also need to learn about how to deal with a wide variety of personality types. Every student is different. Each student learns and comprehends information in different ways. It is important for any teacher to understand this. You need to know how to explain the same information in several different ways so you can teach all of your students well.
2) Recording advice - The better you become as a musician, the more likely it will be that you will want to record your guitar playing. If you have little or no experience in this area, then having someone who can help you is especially helpful.
3) Music business - If you plan to record, release and sell your own CD, now or in the future, there is a huge amount of music business information that you will need to learn if you want to make any money. Some teachers who have released their own CDs, and are promoting it themselves, can be the best source of help for selling your CD. You can also learn other things like how to set up gigs for your band and how to get the press to write about you.
Now that you have a better idea about what to look for in a teacher, the next question is, where do you look for a good teacher? This depends on if you are looking for a teacher to teach you privately (face to face) or if you are looking for a teacher to teach you through correspondence. Both are good and there are advantages to both ways.
If you are looking for a private teacher to teach you face to face, check out these places first: Contact the music department at universities and colleges near you. Even if they can't help you directly, they can usually refer you to someone who can help. Next, you can try your local music shops (where guitars are sold). Most music shops offer lessons. And most of the teachers found here are not of the highest quality, but sometimes there are great teachers you can find at these shops.
When you call one of these shops, ask to speak to the manager or owner. Find out from him or her exactly who are the most qualified teachers for you (your style of music and skill level). After you get the teachers' names, make arrangements to speak to each of the teachers privately. Ask those teachers all of the questions we've gone over above. If you are not satisfied with any of those teachers, keep looking.
If you are looking for correspondence lessons, your search will be a little different (and these lessons are usually a little cheaper in the long run). You can look on the Internet for these types of teachers and you can also contact universities (in any part of the world). The best thing about correspondence lessons is that you can take lessons from any teacher in the world (that teaches via correspondence)! What I would look for in a correspondence teacher is someone who has been doing this type of teaching for a while, someone who always allows you to ask questions about your lesson via e-mail or telephone (for no additional charge!).
I personally don't think that courses (like CD-ROM courses) are a good idea because they don't provide the private and individual instruction needed to learn in the most efficient way. Even though correspondence lessons are not face to face, the lessons should be personalized for you, your skill level, your musical knowledge, your style of music and your musical goals.
Stay away from a one-size-fits-all method or the cookie-cutter style courses. Everyone is different and is at a different level, has different musical goals, and likes different music. So the lessons (whether face to face or correspondence) should be tailored specifically to your needs.
After teaching guitar and music for over 11 years now, I can tell you that using the information above can make a huge difference in finding an experienced high quality teacher. An incompetent teacher can severely hinder your ability to fully develop your guitar and music skills. If you are not progressing well, but you are spending a lot of time practicing, find another teacher.
I invite you to sign up for my free newsletter which is filled with valuable guitar instructional resources! Article Source : http://www.articledashboard.com More articles by Tom Hess are available for free here: tomhess.net My email: hess@mc.net See Tom Hess on the HolyHell world tour in 2006. Tour dates posted here: tomhess.net/news.php ?rubric=1 ...
 Article Article Page Main Guitar Articles Guitar Sites Feature Article Changing Guitar Strings for a Better Sound Author: Anthony Marcus Over time, dirt and oil from your hands build up on your strings, causing them to tarnish. This dirt on your strings will cause them to begin to sound dull and lifeless. Washing your hands before playing and wiping the strings afterward will extend the life of your strings. Other factors (like the natural stretching of the string over time) will require you to change your strings regularly. The playable "life" of your guitar strings depends on a number of things. The sweat from your hands will decrease the life of your strings. The environment also affects string life. Smokey nightclubs, room humidity, and frequency of playing all diminish the life of the guitar string. This is true for both steel, nickel and nylon strings. From my experience of playing guitar for over 30 years, I can share the following "warning signs" of string failure: The guitar becomes difficult to tune. The overall tone of the guitar sounds dull. The strings begin to discolor (not as shiny as when they were new!!). When doing bends or whammey bar pulls, the guitar goes out of tune.
If the guitar is to be stored in the case for an extended period of time, it's a good idea to relieve the tension or de-tune the strings. This will extend the life of the strings as well as preventing damage to the neck of the guitar. When the guitar is not being played on a regular basis, the tension of the strings can cause the neck to curve or warp! Other very useful information is available online. For more information please visit http://www.guitarguideonline.com Changing Guitar Strings for a Better Sound By Anthony Marcus http://www.guitarguideonline.com I have played guitar since I was very young. With experience at both the local and national level, I can share my knowledge with the budding guitarist.
 Article Article Page Main Guitar Articles Guitar Sites Feature Article Changing Guitar Strings for a Better Sound Author: Anthony Marcus Over time, dirt and oil from your hands build up on your strings, causing them to tarnish. This dirt on your strings will cause them to begin to sound dull and lifeless. Washing your hands before playing and wiping the strings afterward will extend the life of your strings. Other factors (like the natural stretching of the string over time) will require you to change your strings regularly. The playable "life" of your guitar strings depends on a number of things. The sweat from your hands will decrease the life of your strings. The environment also affects string life. Smokey nightclubs, room humidity, and frequency of playing all diminish the life of the guitar string. This is true for both steel, nickel and nylon strings. From my experience of playing guitar for over 30 years, I can share the following "warning signs" of string failure: The guitar becomes difficult to tune. The overall tone of the guitar sounds dull. The strings begin to discolor (not as shiny as when they were new!!). When doing bends or whammey bar pulls, the guitar goes out of tune.
If the guitar is to be stored in the case for an extended period of time, it's a good idea to relieve the tension or de-tune the strings. This will extend the life of the strings as well as preventing damage to the neck of the guitar. When the guitar is not being played on a regular basis, the tension of the strings can cause the neck to curve or warp! Other very useful information is available online. For more information please visit http://www.guitarguideonline.com Changing Guitar Strings for a Better Sound By Anthony Marcus http://www.guitarguideonline.com I have played guitar since I was very young. With experience at both the local and national level, I can share my knowledge with the budding guitarist.
 Article Article Page Main Guitar Articles Guitar Sites Feature Article Can't Afford Electric Guitar Lessons? Learn Online! Author: Lorraine Weston Music is an important part of our lives we can use it to change our moods, create an atmosphere, or simply to relax to. Playing an instrument is not only a great way to experience the music; it is also an enjoyable, useful skill to have. The electric guitar is one of the most popular instruments, and free lessons can be found online that will help you learn to play.
The electric guitar is an instrument that can be played with many different styles of music because it has many different sounds. When listening to the radio, you can hear the electric guitar on a hard rock, jazz, blues, country, easy listening, or pop station. You may want to learn the electric guitar so you can play along with your favorite bands, but you just don't have the money to pay for lessons. The good news is that many websites offer free guitar lessons that can teach you much of what you need to know.
The one drawback to online guitar lessons is that you don't have a teacher right there in the room with you to help you place your fingers on the right strings and show you a specific chord. However, there are other benefits to learning from a teacher online. One, of course, is that the lessons are free. Also, many websites offer a section where you can email or chat online with your teacher if you have any questions about what you are learning. Another benefit is that you can take the lessons whenever it is convenient for you, and you can often select what you would like to learn.
There are different styles of electric guitar playing that go along with many different types of music. You can learn to play chords, and you can learn to read musical notation or tablature, which is simply the system that is used to write down a series of notes known as a guitar riff. You can learn that different strumming patterns will give you different effects. The electric guitar can also come with different effects pedals, which give your music a whole new sound when you use them.
In order to find the best free online guitar lessons, you may need to try a couple of different websites, or ask someone that you know has taken lessons before. There are lots to choose from, and once you find the one for you, you'll be on your way to learning to play like the pros! Article Source : http://www.articledashboard.com Learn more easy to learn electric guitar tips at guitar.activitiessite.com/Learn-To-Play-The-Electric-Guitar-Free-Online.php ...
 Article Article Page Main Guitar Articles Guitar Sites Feature Article Buy PRS Guitars SE Standard Electric Guitar online at Musician's ... Author: Not Available Get the absolute best price on PRS Guitars SE Standard Electric Guitar and all your Stringed Instruments needs at Musician's Friend. ...
 Article Article Page Main Guitar Articles Guitar Sites Feature Article Buying vintage guitars from Fender, Gibson , Martin, Rickenbacker ... Author: Not Available If you are selling a vintage guitar or amp we buy Vintage guitars & amps. We buy used guitars from a Fender Telecaster or Fender Stratocaster to a Gibson SG ... ...
 Article Article Page Main Guitar Articles Guitar Sites Feature Article Best Ways To Improve Your Guitar Playing Author: Dave Lloyd What grooves you? Why do you want to improve?
Regardless of your intentions - whether to get started playing, learn a few licks of your favorite tunes, or want to expand your repertoire to include blues, funk, or rock and roll music, on your way to recording yourself, there are resources out there that can help you.
Here are a few ideas that may help you better understand your guitar playing and some solutions you can consider.
Guitar videos You can purchase guitar playing videos, either for home or computer watching, that include hand position, strumming technique, rhythm and timing, and finger exercises that take through various type of songs. Essentially these become a mirror for you in learning to play as you mimic what you're watching on screen and then reproduce this on your own. With commitment and determination, this can be a good one to go - especially for the visual learner who likes to learn primarily on their own.
Guitar lessons You can find a community of guitar instructors in your surrounding area who are either private tutors or work through a community college. You'll want to consider their expertise, the type of students they work best with, their flexibility with your schedule, success stories, and of course their fees, in considering working with them. In pursing guitar lessons, you can either do one on one or group - both have their plusses and minuses but either can work for you.
Playing partners Find someone in your local community who plays. You can do this through asking the local community college, posting online to a resource like craigslist, or asking the guitar shop. The idea is to develop a friendship with someone who is a bit better than you who wants the accountability of practicing weekly. What you can provide is the commitment to meet up with them weekly and practice. In return, you can learn from their techniques or methods what works. Of course, you always need to be aware of learning bad habits in situations like these, which is why it's important to have a foundation in guitar technique before starting.
Guitar theory Related to guitar technique is developing a basis in guitar theory. Chord patterns, minor and major chord progressions, note scales, and overlap with piano and percussion instruments can all give you a basic structure upon which to layer in the knowledge and technique you gain in your guitar playing.
Playing guitar can be a wonderful expression of one's musical and creative talent. And with a commitment to constant improvement, it can provide a lifetime of enjoyment for yourself, friends, and family. Article Source : http://www.articledashboard.com Dave Lloyd has created the online guide to guitar playing at www.improvemyguitar.com ...
 Article Article Page Main Guitar Articles Guitar Sites Feature Article Basic Guitar Scales - Top 4 Scales Every Player Should Know Author: John Robert If you are interested in learning how to play lead guitar your first step should be to learn some basic guitar scales. Scales are the building blocks for lead guitar playing and once you master the basic guitar scales mentioned below you will be ready to jam some killer licks over your favorite tunes or perhaps your own chord arrangements. Basic Guitar Scale #1 The minor pentatonic scale is the easiest and most common scale used in rock and blues styles. Here is the pattern. You can play it starting on any part of the neck. l--X---l------l-------l--X---l l--X---l------l-------l--X---l l--X---l------l--X---l-------l l--X---l------l--X---l-------l l--X---l------l--X---l-------l l--X---l------l-------l--X---l Basic Guitar Scale #2 The major scale is the most popular in western forms of music and is the starting point for all music and guitar theory. It is the do-re-mi-fa-so-la-ti-do scale we all learn in grade school music classes. Here is the pattern. l--X---l--X---l-------l------l l------l--X---l-------l--X---l l--X---l-------l--X---l--X---l l--X---l-------l--X---l--X---l l--X---l--X---l-------l--X---l l-------l--X---l------l--X---l Basic Guitar Scale #3 The minor scale is another popular one is western music. It is the sixth mode of the major scale which means if you played the major scale starting on the sixth note in the scale and continued up an octave you would essentially be playing a minor scale. Here is the minor scale pattern. l--X---l-------l--X---l--X---l-------l l--X---l--X---l-------l--X---l-------l l--X---l-------l--X---l-------l-------l l--X---l-------l--X---l-------l--X---l l--X---l-------l--X---l--X---l-------l l--X---l-------l--X---l--X---l-------l Basic Guitar Scale #4 The blues scale is an easy one to learn once you know the minor pentatonic because it is basically the same scale with an added note. This added note called the "blue" note gives the scale its unusual sad quality. You can use the blues scale in rock and blues styles and it will sound great. Here is the pattern. l--X---l------l-------l--X---l l--X---l------l--X---l--X---l l--X---l------l--X---l-------l l--X---l------l--X---l-------l l--X---l--X---l--X---l-------l l--X---l------l-------l--X---l I hope you will enjoy playing the basic guitar scales above and learn to incorporate them into your lead guitar playing. These are the most basic scales and for some people it's all they ever need. You would do well to master them inside and out. Visit my blog for tips on mastering guitar scales in record time. John Robert has been playing guitar for longer than he can remember. Aside from teaching guitar for the last three years he enjoys writing articles about playing guitar and other guitar related topics. If you are serious about mastering basic guitar scales you owe it to yourself to check out Guitar-Scale-Mastery.info
 Article Article Page Main Guitar Articles Guitar Sites Feature Article A Fender Guitar for a Child Author: Hilde Berge When you want to have a child learn the enjoyment of playing the guitar. You will find that there are so many options for a child and these wonderful guitars. These items are found to be a perfect way to introduce any child into the world of music. They will enjoy the pleasure that they get from playing and learning the fun that they can have with music. You can find the perfect fender guitar for any child online. There are so many to choose from and you will see that you can get one to match your child's personality and style. There are ones that have bolder colors as well as ones that are more plain and ordinary. No matter what the style you choose, you will find one to fit your child's needs and let them truly get closer with the wonderful world of music. Any child that has not played a guitar before will soon learn once they are introduced to their fender guitar. They will find that they want to learn more and get acquainted with the guitar. It is not going to be something that they learn overnight, they will have to have some lessons or even just some one on one time with the guitar to learn how to play and understand the object. Once they get the feel and the information that they need, they can learn to play it without any hassles or problems. Once a child learns to play the fender guitar well, they may decide to go even further with their playing and get more active with it. They may want to use their fender guitar in a band after school or maybe they can use it in the band at school. This would be a great way to encourage the child to use what they have learned so that they can truly get the fun of the guitar and what it is all about. A fender guitar would be a great gift to give to any child for their birthday or Christmas. This is something that they would love to have and would enjoy for many years to come. Once they outgrow their first one, they can go on with others in the future. A fender guitar is some thing that can be handed down to future generations for a long time to come. You can also include many fender guitar accessories for your child. There are guitar cases, strings, and even amplifiers and strings that are so important to maintaining the guitar so that you can keep it for many years to come. You will see that your child will learn with the proper information how to take care of this precious instrument for a lifetime.
 Article Article Page Main Guitar Articles Guitar Sites Feature Article A Fender Guitar for a Child Author: Hilde Berge When you want to have a child learn the enjoyment of playing the guitar. You will find that there are so many options for a child and these wonderful guitars. These items are found to be a perfect way to introduce any child into the world of music. They will enjoy the pleasure that they get from playing and learning the fun that they can have with music. You can find the perfect fender guitar for any child online. There are so many to choose from and you will see that you can get one to match your child's personality and style. There are ones that have bolder colors as well as ones that are more plain and ordinary. No matter what the style you choose, you will find one to fit your child's needs and let them truly get closer with the wonderful world of music. Any child that has not played a guitar before will soon learn once they are introduced to their fender guitar. They will find that they want to learn more and get acquainted with the guitar. It is not going to be something that they learn overnight, they will have to have some lessons or even just some one on one time with the guitar to learn how to play and understand the object. Once they get the feel and the information that they need, they can learn to play it without any hassles or problems. Once a child learns to play the fender guitar well, they may decide to go even further with their playing and get more active with it. They may want to use their fender guitar in a band after school or maybe they can use it in the band at school. This would be a great way to encourage the child to use what they have learned so that they can truly get the fun of the guitar and what it is all about. A fender guitar would be a great gift to give to any child for their birthday or Christmas. This is something that they would love to have and would enjoy for many years to come. Once they outgrow their first one, they can go on with others in the future. A fender guitar is some thing that can be handed down to future generations for a long time to come. You can also include many fender guitar accessories for your child. There are guitar cases, strings, and even amplifiers and strings that are so important to maintaining the guitar so that you can keep it for many years to come. You will see that your child will learn with the proper information how to take care of this precious instrument for a lifetime.
 Article Article Page Main Guitar Articles Guitar Sites Feature Article A Brief History Of Gibson Guitars Author: Michael Casamento Gibson guitars have been around forever. It's funny, but although Gibson has produced some of the most amazing guitars in history, perhaps the company's largest contribution to music has been through their advancements in pickup technology. Gibson's first electric guitar the ES-150 was produced in 1936, and is still considered one of the best sounding electric jazz guitars in the world. In 1946 Gibson introduced the P-90 single coil pickup, which was eventually used on the first Les Paul model in 1952. The Les Paul was Gibson's first solid body electric guitar. In 1957 Gibson introduced the legendary Humbucker pickup on the Les Paul model, and an instant classic was born. The P-90 and the Humbucker quickly became the pickups of choice for Gibson's expanding line of solid body electric guitars. 1961 marked the introduction of one of Gibson's most successful models ever, the double cutaway SG. This was followed by the Firebird, and Flying V models, each a classic in its own right. In addition to electrics, Gibson produces some of the finest acoustic guitars available. Throughout the years, Gibson has continually sought to provide musicians with a wide range of choices concerning quality and price. Although this has proved to be one of the company's strongest assets, buying a Gibson can be a somewhat complex process. Buyers must arm themselves with a thorough knowledge of their desired model, as quality and construction techniques can vary wildly over the course of a model's production history. Much like fine wines, Gibson guitars also have their preferred vintages. Today, Gibson's commitment to excellence, and support of top musicians is demonstrated most deeply through its well known Custom Shop. The Custom Shop produces specialty instruments for artists, and discerning musicians. In addition, many well known historic classics have been faithfully reproduced by the Gibson Custom Shop, allowing a whole new generation of guitarists to experience Gibson's hallmark guitars.
 Article Article Page Main Guitar Articles Guitar Sites Feature Article 10 Beginner Acoustic Guitars Author: Jeff Tomlin Buying a guitar can be an intimidating process, especially if you've never purchased one before. There are so many factors to consider, and so many guitars available, novices will surely feel overwhelmed. Fear not - help is available. The following five lower priced acoustic guitars all offer great value for their respective price tags. 1. Seagull S6 These Canadian-made instruments are terrific guitars - very highly regarded, both for their beautiful sound, and their excellent value. The S6 features a solid cedar top, and mahogany back and sides. Although the price may be slightly above what some might be willing to pay for a first guitar, it should be considered an investment. 2. Yamaha F310 Perhaps not in the same league as the Seagull, the F310 is still a solid beginner instrument, and for the price (significantly cheaper than the S6), it's a good value. Guitar features a spruce top, with mahogany back and sides. 3. Takamine G-240 This beginner model Takamine guitar features a laminated spruce top, with nato back and sides. Although it clearly isn't on par with some of the higher end Takamine guitars, the general consensus is the G-240 offers a pretty good bang for the buck. 4. Fender DG-7 This lower cost Fender acoustic features a spruce top, meranti back and sides, and a nato neck. Cheaper Fender products tend to be occasionally guilty of lackluster workmanship, but for the price, this guitar could be attractive to newbies. 5. Epiphone DR-100 The DR-100 features a spruce top, with mahogany back and sides. This guitar can usually be found at a rather cheap price, which makes it attractive to beginners. Most consider this a strictly beginner instrument, however, so it may not be long before you'll want to trade up. 6. Washburn D10S This low-priced acoustic guitar is one of the best selling guitars in the world. Acoustic Guitar magazine even went so far as to name this their top guitar under $500. I can't fully agree, but the D10S certainly is a bargain! 7. Blueridge BR-40 This is a low-priced acoustic guitar with a focus on fine craftsmanship. The top of the guitar is solid spruce, with mahogany back and sides. The BR-40 even includes mother-of-pearl inlay. A particularly impressively constructed guitar for an instrument in this price range. 8. Ibanez AC100NT The Ibanez AC100NT is another well-constructed instrument with solid spruce top, and walnut back and sides. This combination creates a warm, bottom-end tone with bright highs. 9. Taylor Baby Taylor This is a 3/4 size dreadnought guitar, making it a good choice for younger guitarists with smaller hands. Taylor has a reputation for being one of America's greatest guitar makers, and although they've cut a few corners here to meet a low-price point, this is still a solid instrument. 10. Martin LXI One of the most highly esteemed guitar makers has provided this 3/4 size guitar, designed for guitarists with small hands and small pocketbooks. The LXI features a solid maple top, back and sides. | |
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